Radio silence talib
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Talib released his long-awaited first solo album Quality in 2002, and found radio love with the single "Get By." His second full-length, The Beautiful Struggle hit the scene two years later, followed by 2007's Eardrum. As if that's not enough, his other group Reflection Eternal (a collaboration with DJ Hi-Tek), have stepped out with several 12-inches and an excellent debut LP. An outspoken supporter of many sociopolitical issues (both on and off the mic), and he's also appeared on The Unbound Project and Hip Hop For Respect. Kweli has also contributed tracks to some of the most important hip-hop compilations in recent years, including both Soundbombing collections, Lyricist Lounge Vol. He is one half (along with Mos Def) of Black Star, whose 1998 debut garnered worldwide critical acclaim. Kweli’s absolutely owned his lane when he’s been committed to it but now he's jumping around from style to style with no destination in sight.A New York emcee admired for his champion mic skills and conscious lyricism, Talib Kweli has been a very busy man, dropping hot tracks at an astounding rate. Barnes & Noble has the best selection of R&B and Hip-Hop Alternative Hip Hop CDs. Where Acid Rap is a seamless convergence of local and post-regional sounds, Prisoner takes on a bunch of things one by one without squeezing the most from any of them. Talib Kweli Paak Anderson Jay Electronica Yummy Bingham Waka Flocka Flame Amber Coffman Myka 9, (Rapper) BJ the Chicago Kid Rick Ross Datcha Bilal, (Musician) Robert Glasper - Renowned artist and activist Talib Kweli releases a new project featuring collaborations with Anderson. Listening to Prisoner next to something like the new Chance the Rapper tape reveals the record’s biggest, most pervasive dilemma. Over the last few months, the Brooklyn MC has been. And for every few lines that actually do stand up to some of Kweli’s smarter work (“Black Moses when the mic is on/ That’s why these rappers scatter like roaches when the light is on”), there’s a half-cocked concept, like this one from “Hamster Wheel”: “How she runnin’ the streets but still standin’ still/ She needa get up off the hamster wheel.” Stream Talib Kweli’s New Album ‘Radio Silence’ Talib Kweli isn’t one to remain silent about the issues that plague the black community.
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But Prisoner is marred by weak analogies (“colder than Minnesota,” “buzz like Georgia Tech) and Kweli’s bumpy writerliness (“ornithology” and “onomatopoeia” are just two less-than-melodious words used here), leading this to be his most underwhelming record yet word-for-word.
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For a record that doesn’t have a binding identity in the first place, that’s a regrettably fragmenting problem.Īs great as the jutting, soul-sampling production of 2002’s Quality was, Kweli’s saving grace has always been his well-intentioned lyricism, not his taste in beats. The track might be the only flail at relevancy here, but when guys like Kendrick and Miguel show up- the former laying down one of his best guest verses of late on “Push Thru”, the latter as seductive as ever with his suitably come-hither-y hook for “Come Here”- their appearances scan as misguided attempts at lending the album a vaguely populist hue. Its piano-lined, uppercutting pop aims for the radio, but, not even factoring in the club-unfriendliness of Kweli’s nose-pinched delivery, I just can’t imagine it fitting in next to “Fuckin’ Problems” or “Bugatti”. The song knows what it wants to be but doesn’t have the wherewithal to be it. So when third song “Turnt Up” shows up on Kweli’s fifth solo album, it's probably right to perceive it as an allegorical jailbreak.Īnd, unfortunately if predictably, “Turnt Up” marks the beginning of Prisoner’s issues. Songs like 1998's "Definition" and 2002's "Get By" still deserve all the adulation they inspire, but there's a reason the 37-year-old founding father of conscious-rap is now acknowledging his own antiquity. Talib Kweli, then, isn't cut out for these times. We're now a little more than three years removed from Waka's infamous "I'm not into being lyrical" comments, and about two and a half on from Flockaveli, a willfully boneheaded album approaching classic status these days. markets like Kansas City, Salt Lake City, San Francisco, Los Angeles, Dallas, Atlanta and Washington, DC. Speaking with NPRs Michel Martin, Kweli discusses speaking out on racism, the changing value of radio play in hip-hop and his albums tribute to Bresha Meadows, who was arrested at 14 for killing her father after years of alleged domestic abuse. Read deliberately, Prisoner of Conscious isn’t that much less provocative a title in 2013 than Nas' Hip Hop Is Dead was in 2006. Brooklyn rapper Talib Kweli will be hitting the road in early 2018 supporting his brand new album Radio Silence.The new 24-city jaunt kicks off February 16th in Cleveland and extends through March visiting U.S. Kwelis eighth studio album is titled Radio Silence.